Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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HEINTZ, Joseph the Younger
The Bull Hunt in Campo San Polo af

ID: 07451

HEINTZ, Joseph the Younger The Bull Hunt in Campo San Polo af
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HEINTZ, Joseph the Younger The Bull Hunt in Campo San Polo af


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HEINTZ, Joseph the Younger

Swiss/German painter (b. ca. 1600, Augsburg, d. ca. 1678, Venezia)  Related Paintings of HEINTZ, Joseph the Younger :. | The Salmon | On the Model Table | Nico left, Prince | petworth park | Portrait of Michelangelo Lanci |
Related Artists:
Walter Jack Duncan
He was born in Indianapolis, Indiana . American, 1881-1941
ROMANELLI, Giovanni Francesco
Italian painter, Roman school (b. 1610, Viterbo, d.1662, Viterbo). Italian painter and draughtsman. He was the pupil first of Domenichino, then of Pietro da Cortona; his work also shows the influence of Bernini (in some of whose projects he became involved) and of Poussin. His calm and graceful synthesis of these extremes of austere Baroque classicism and High Baroque ebullience was prophetic of the effects of the Roman Late Baroque and of the generalized style of public painting that spread throughout Europe in the late 17th century and the early 18th.
Charles Roscoe Savage
1832-1909, He was a British-born landscape and portrait photographer who produced images of the American West. He is best known for his 1869 photographs of the linking of the first transcontinental railroad. Savage was born in Southampton, England, on August 16, 1832. At age 14, he joined The Church of Jesus Christ of Latter-day Saints (LDS Church). After serving missions for the church in Switzerland and England, he emigrated to the United States during the winter of 1855?C56. He initially found work as a photographer in New York City, and headed west the following year. He first settled in Nebraska, then Council Bluffs, Iowa, where he established his first independent studio and gallery. In the spring of 1860, he traveled to Salt Lake City, Utah Territory with his family, where he established a photography studio with a partner, Marsena Cannon, an early Utah daguerreotypist and photographer. A year later, after Cannon moved to southern Utah, Savage established a partnership with artist George Ottinger. Many of Savage's photographs were reproduced in Harper's Weekly newspaper, which created a national reputation for the firm. This partnership continued until 1870. As a photographer under contract with the Union Pacific Railroad, Savage traveled to California in 1866 and then followed the rails back to Utah. He photographed the linking of the Union Pacific and Central Pacific on Promontory Summit, at Promontory, Utah in 1869






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